Professional Cinema Gear
Sony F65 CineAlta 8K · Arri/Zeiss Ultra Prime lenses · Full cinema production package. Call 908 903 0722 for full package details.
Sony F65 4K digital motion picture camera at Twin Production. Full package available upon request — call 908 903 0722.
The F65 uses a 20 million photosite Super-35 sensor to capture unsurpassed high-resolution images with 14 stops of Dynamic Range. It records them in 4K RAW from 1–60fps and in 2K RAW up to 120fps. The F65 can also output 1080p in Sony's robust SR recording codec. A spinning mechanical shutter eliminates rolling shutter artifacts inherent with 8K CMOS sensors.
The SR-R4 records on to SRMemory Cards, offering massive data capacity and huge sustained transfer rates. SRMemory Cards are available in capacities of 256 GB, 512 GB and 1 TB, combining massive storage capacity with unrivalled levels of data security. The cards can record and replay multiple streams simultaneously and support data rates that can handle up to 4K, with transfer speeds up to 5.5 Gbps.
The SR-512S55 SRMemory Card is an ultra high-speed, high-capacity, and high-reliability flash memory media for SRMASTER series products, ideal for demanding professional applications including 3D production, high-frame-rate digital cinematography, and high-resolution digital cinematography. Capacity of 512 GB and guaranteed write speed of 5.5 Gbps.
With the Ultra Prime T2.8/8R, ARRI introduces a new extreme wide angle lens with a unique look. The Ultra Prime 8R shows an extremely wide angle of view without any of the commonly associated distortion because of its rectilinear design. Ideal for POV shots, establishing shots, sweeping vistas, interiors of cars, small rooms, and unusual angles.
Arri/Zeiss Ultra Primes offer crystal clear color and contrast with excellent matching across all focal lengths. For technical clarity and sharpness, nothing compares to the Ultra Primes.
The Arri/Zeiss 32mm Ultra Prime Distagon T1.9 weighs 2.4 lbs with a front diameter of 95mm and close focus at 1¼'. Arri and Carl Zeiss have created lenses which completely unite all main characteristics such as focus, contrast, color saturation, color uniformity and compactness together with the high speed T1.9 rating, low aperture-induced focus shift and uniform pupil position.
The Arri/Zeiss 85mm Ultra Prime Planar T1.9 weighs 2.6 lbs. with a front diameter of 95mm and close focus at 3'. The Ultra Prime lenses retain their excellent image quality even at close focus across the whole Super 35 frame, with low aperture-induced focus shift and uniform pupil position.
The FF-5 has a longer swing arm for better gear positioning with HD lenses. A lower gear ratio is better suited to the smaller lens diameter of HD lenses and cine lenses with a compressed focus scale.
OConnor's O-Grips feature smooth-functioning, single-handle ball joints with a maximum payload capacity of 44 lbs (20 kg), making them ideal for both smaller and larger cameras, and are capable of fitting all three standard rod systems (15mm and 19mm Studio, and 15mm LWS). Modular O-Grips can be stacked for custom applications and can be configured to create double or multi-joint handles.
ARRI style Bridgeplate with 19mm studio spacing (rods spaced 104mm center to center). Solid body/rod clamp construction. Combine with Universal Baseplate for correct lens height on camera. Use with Easy Riser for Sony F65. Includes: (2) riser screws.
The QRC-SC ALTA allows the Sony F65 camera to be powered via Anton Bauer 3-stud batteries. Complete with auxiliary PowerTap connector and power cable with 8p LEMO. *14.4v output only.
Sony's HDVF-C30WR 2.7" Color Viewfinder makes a fitting companion to CineAlta professional camcorders. Also compatible with Sony's PDW-F800 and HDC-3300R cameras, this viewfinder uses an advanced image processor to combine enhanced focus-assist features with improved luminance and a selectable color temperature (5600K/6500K/9300K).
Designed to give you the ultimate control and stability for film style shooting, the 2575D has become the standard for 35mm film cameras. It features OConnor's patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range.
Designed for full studio, 35mm and 65mm film cameras. Mitchell plate.
ARRI Adapter Long Plate. Turns almost every dovetail or tripod plate into an Arri-Bridge Plate compatible dovetail. Universal ARRI Adaptor Plate.
This modified dovetail allows you to eliminate the O'Connor Euro quick release plate, thereby eliminating two extra interconnects, reducing the stack height and increasing the distance that you can travel on the plate. Compatible with OConnor 2060/2575/120EX and Sachtler Cine 30 fluid heads.
The Universal Juicebox is the most powerful and versatile AC power supply in the industry. It delivers both 14.4v and 28v simultaneously with six power outputs. The Universal Juicebox can continuously output in excess of 600w of power (300w of each voltage), making it ideal for use with a variety of cameras, monitors, lights and other equipment.
The BT-LH910's 1280×768 WXGA pixel resolution offers production-level critical viewing. High brightness (350cd/m²), high contrast (1000:1), horizontally-aligned IPS panel has 176° vertical and horizontal viewing angles — the widest offered by any LCD display.
Ultra-wide gamut LCD panel with the unique ability to work in several different color spaces. Choose between REC 709, SMPTE C, EBU, DCI-P3, or native Wide Gamut Mode. Color space management is handled by an advanced 64×64×64 Matrix 3D LUT Color Fidelity Engine ensuring a high degree of accuracy in any mode.
The Schoeps CMIT5U is a high quality professional long shotgun microphone designed for professional film, video and music recording applications. The ECM-678/9X features a low-cut filter switch that eliminates noise and low frequency rumble, requiring external +48V phantom power.
The 788T-SSD are eight input, twelve-track digital audio recorders designed for production sound. Eight pristine analog inputs accept microphone or line-level signals, provide 48V phantom power, peak limiters and adjustable high-pass filters. Accommodates eight channels of balanced AES3 digital input and six channels of balanced analog line-level and AES3 digital output.
The SR-D1 is a compact SRMemory™ drive unit for use with PC or Mac computers. Once driver software is installed, the SR-D1 can be connected easily via USB3.0/eSATA. Materials in SRMemory can be reviewed with dedicated viewing software (F65RAW Viewer/SR Viewer) before transferred.
The L-758C measures light beyond the capabilities of your camera and ensures repeatable, accurate and consistent measurements. The dynamic range of a particular digital camera or film can be stored, recalled and displayed. Using the USB transfer cable and the Sekonic Digital Input and Transfer software, a digital camera's exposure profile can be uploaded from a computer.
P+S Technik Skater Mini Dolly — compact, versatile dolly for smooth tracking and moving shots on any surface.
This full 2/3" DVCPRO HD camcorder records pristine 100Mbps HD images in any of 11 video formats, encompassing 60Hz and 50Hz production. Higher-quality 4:2:2 intra-frame recording that holds up through layers of special effects. With 1080i, 720p, 24p and 25p capabilities, perfect for long-form HD programming and digital cinematography.
4K UHD is a resolution of 3840×2160 lines (8.3 megapixels, 16:9) with twice the horizontal and vertical resolution of 1080p HDTV — four times as many pixels overall.
| Format | Resolution | Aspect Ratio | Pixels |
|---|---|---|---|
| Academy 4K (storage format) | 3656 × 2664 | 1.37:1 | 9,739,584 |
| 4K Ultra High Definition Television | 3840 × 2160 | 1.78:1 (16:9) | 8,294,400 |
| DCI 4K (flat cropped) | 3996 × 2160 | 1.85:1 | 8,631,360 |
| DCI 4K (CinemaScope cropped) | 4096 × 1714 | 2.39:1 | 7,020,544 |
| Digital Cinema Initiatives 4K (native) | 4096 × 2160 | 1.90:1 (256:135) | 8,847,360 |
| Canon 4K2560 (DP-V3010) | 4096 × 2560 | 1.6:1 (16:10) | 10,485,760 |
| Full Aperture 4K (storage format) | 4096 × 3112 | 1.32:1 | 12,746,752 |
Below images taken from 4K Ultra HD 16-bit RAW video file to JPEG sRGB. Click any thumbnail to view full size.
Every wedding filmed with the same Sony F65 used on major motion pictures. Call 908 903 0722 to discuss your date.