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Twin Production makes no compromises with the quality. It delivers DIGITAL-S & HD 2/3" quality 4:2:2 component digital footage on a 1/2-inch and 1/4-inch tape for broadcasters and production houses who demand only the best. It also features four audio channels for extended production applications.
 Three 2/3-inch 768 x 493 pixel CCDs
High sensitivity of F11 at 2,000 lux
Outstanding low-light shooting down to 0.032 lux
4:2:2 Component Digital Recording, 50 Mbps
124 minute recording time capability
DSP-Enchanced Picture Quality
Four Audio Channels
Multi-Format HD Recording with High Sensitivity and Superior Image Quality
The 720p/1080i HD Multi-Format Camera
Able to record in the 11 HD formats listed below, the HD-CAM can produce content for use virtually anywhere in the world. And with its versatile features, the HD-CAM can be used to produce virtually any kind of HD video content - TV programs, music videos, stock footage, corporate video and much more.
Progressive HD CCD Provides High Sensitivity and Superior Image Quality
The 2/3" 1-million-pixel IT 3CCD system delivers superb HD imagery combined with exceptional sensitivity of F10 at 2,000 lx.
The HD-CAM can capture outstanding shots in lighting as low as 0.032 lx (at +62 dB gain). The native progressive video format, which drives the CCDs continuously in progressive mode, outputs high-quality HD images that are suitable for use in filmlike production or in combination with computer graphics.
14-bit Digital Conversion
In the HD-CAM, we offer a 14-bit A/D conversion system, an upgrade over a conventional 12-bit system. We also incorporated a new high-performance digital signal processing (DSP) circuit. The 12-axis color correction matrix lets you make fine adjustments in specific color regions. Functions such as skin detail let you further fine-tune the image.
New Filmlike 3 Gamma Curve
We also added a new Filmlike gamma mode called Filmlike 3, to the popular Filmlike 1 and Filmlike 2 gamma modes found in the AJ-SDX900 and AJ-HDX400. Filmlike 3 produces a film-like texture that makes images more emotionally expressive. This makes Filmlike 3 a good choice for certain TV programs, music and video clips, and other content.
DVCPRO HD EX: Professional Quality Pictures
Designed to broadcast specifications, the DVCPRO HD EX codec combines a video bit rate of 100 Mbps with 4:2:2 sampling and intra-frame compression. This reliable recording system also minimizes quality degradation with fast-moving subjects and is highly resistant to drop-out.
New DRS (Dynamic Range Stretching) Function
DRS further extends the auto knee function. It recognizes the average brightness of highlight and shadow areas and then automatically adjusts the aperture and uses knee control to suppress blown highlights in the shadow areas. In scenes with mixed dark and light areas, such as when moving from indoors to outdoors, DRS automatically provides a wider dynamic range with minimal blown highlights and blocked shadows with no need to manually tweak the camera for each specific condition.
Digital Super Gain (Cumulative Mode)
The HD-CAM provides an easy-to-use, pushbutton super gain function with a maximum gain of +36 dB. In addition, it introduces a new digital super gain (in cumulative mode) utilizing the variable frame rate technology of Varicam and allowing an extra gain of +20 dB (at 6 fps). Unlike conventional gain adjustment, digital super gain is virtually noise-free*, so picture quality is preserved intact. With super gain and digital super gain, the HD-CAM allows ultra-high-sensitive shooting at up to +62 dB.
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DIGITAL FORMAT COMPARISON TABLE
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 dpsVelocityT is the ultimate real time non-linear editing system for digital video and content creation professionals. A joint effort of DPS' award-winning hardware and software development teams, dpsVelocity delivers faster, sharper and easier edits while raising the bar for reliability and affordability. Whether creating content for broadcast, videotape, CD-ROM, DVD or the web, dpsVelocity is your best choice.
At the heart of every dpsVelocity editing system is the dpsRealityT studio digital disk recorder card. This advanced hardware, which supports compressed and uncompressed video recording modes, delivers quality so sharp it surpasses Digital Betacam. Amazingly compact, the dpsReality card combines the functions of a dual stream DDR, video mixer/keyer, real time 3D effects processor, multi-channel audio mixer, SCSI controller and two graphics framestores in a single PCI slot.
 It takes an equally powerful software application to exploit the capabilities of the dpsReality hardware. The extensive real time capabilities of dpsVelocity put you in the fast lane. Optimized for the way you work, the intuitive and flexible interface makes it easy to perform even the most complex three and four point edits. Numerous real time filters such as color correction, speed change and transparency are included along with hundreds of ready to use 2D/3D transitions, rolling/crawling titles and perspective, rotation and warp effects. Enhanced dpsVelocity audio features provide real time volume, pan and EQ control for eight channels (four stereo pairs) of synchronized audio.
dpsNetStream - Distribute Real Time High Quality Content on the Internet
 Using dpsNetStream technology, dpsVelocity 7.6 allows digital video professionals to enter a whole new realm of high quality content distribution via the Internet. Popular streaming formats can be created in one step, directly from the timeline. dpsVelocity also includes live streaming capabilities, allowing timelines to be played live to the Internet. Timelines can include a combination of live and pre-recorded video and audio, with titles and transitions providing exceptional webcasting flexibility.
Creation of high quality streaming video files for the web is handled easily from the timeline. Simply choose the file format you want to output, specify the desired size and compression settings, and let dpsVelocity do the work for you. Ligos GoMotion-powered MPEG-1,MPEG-2, RealNetworks RealVideoT , Microsoft Windows Media T , AVI and QuickTime T formats are all supported.
In addition to creating files in streaming formats, dpsVelocity can stream to the web live from the timeline with the included RealNetworks RealVideo and Microsoft Windows Media Format support. Live video from a camera or deck can be combined in real-time with titles, transitions, and previously captured clips, and streamed live to the Internet. And integrated remote control support for an optional Panasonic WJ-MX20T switcher makes multi-camera live webcasting easy.
dpsVelocity-3D-Deluxe Key Features
Rack-mountable professional video/audio Breakout Box
Fully integrated DPS hardware/software solution
dpsVelocity real time NLE software
Uncompressed and compressed recording modes
Real time support of web video streaming formats
Export MPEG-1, MPEG-2, RealNetworks® RealVideo®, Microsoft® WMV, AVI and QuicktimeT formats
Live webcasting, combining live video and audio with pre-recorded footage, titles and transitions
Integrated remote control support for optional Panasonic WJ-MX20 switcher for multi-camera live webcasting
Enhanced project management architecture
Mix clips captured at different compression levels on timeline
Trim Window supports 3 and 4 point edits
Dual frame buffers for two graphics over real time transitions
Real time rolls and crawls
Full Frame 720x486 (NTSC) / 720x576 (PAL) resolution
Multiple galleries (bins) with search capabilities
Real time picture-in-picture, 3D perspective & rotation
Real time dynamic speed changes
Real time reverse varispeed playback
Real time chroma keyer
200+ customizable real time 2D transitions (12-bit ultrasmooth anti-aliased wipes with colored, softedge borders)
200+ customizable real time 3D transitions (with sub-pixel movement for superb quality)
Real time parametric audio EQ
Balanced & unbalanced stereo audio I/O
Separate stereo audio input for CD or auxiliary source
Real time 8-channel (4 stereo pair) hardware audio mixing
Live video processing including real time titling and transitions
Hardware accelerated rendering for multi-pass effects
Time saving Render BankT technology remembers previously rendered segments
Fully keyframeable proc amp controls
EDL import and export
RS422 control of integrated Batch Capture, Recapture & Print to Tape
Supports optional JOG-4000 external hardware jog/shuttle controller
Integrated waveform/vectorscope display
Flexible video I/O: composite, component & Y/C
Supports optional SDI and DV I/O cards
Dedicated preview channel video output
Adjustable genlock timing referenced to video input
Cayman Graphics Power CGT for professional titling
Sound Forge XPT for audio sweetening
Sonic DVDit! SET for DVD Authoring
 DPS QUALITY CONTROL CENTER
Sophisticated dpsVelocity diagnostic tools, like our integrated waveform monitor and vectorscope display help keep your video levels within spec.
 CAPTURING FOOTAGE
The process of digitizing video is accomplished using either quick capture or RS-422 integrated batch capture, complete with VITC/LTC timecode. Both allow for proc amp controls during capture, as well as an on-board waveform and vectorscope display. Whether you're working online or offline, fully functional EDL import and export can be utilized using multiple industry formats.
 ORGANIZING & TRIMMING CLIPS
Captured clips are easily organized into one or more customizable galleries, which allow playing, sorting, annotating and managing the media on your drives. Trimming individual clips in three or four point fashion is enhanced by the dpsVelocity dual trim window. Slip, slide, insert, overlay, and fit-to-fill modes supplement the ability to trim individual clips directly on the timeline.
 POWERFUL EFFECTS & TRANSITIONS
dpsVelocity transitions and effects are fully keyframable, giving you maximum control. Numerous real time effects are at your disposal, including perspective, speed change, reverse varispeed playback, color correction, cropping, keying, warping, transparency, and more. dpsVelocity even lets you combine video effects with transitions and rolling and crawling titles in complex groupings of up to five layers. Hundreds of pre-designed 2D and 3D transitions are ready to go. You can even key graphics over live video at the touch of a button. For multi-pass effects, dpsVelocity uses fast hardware assisted rendering. To eliminate rerendering, DPS Render Bank technology remembers previously rendered segments, paving the way for flexible experimentation.
DPS VIRTUAL TAPE FILE SYSTEMT
dpsVelocity users can seamlessly share files with other graphics, animation and editing systems via the revolutionary DPS Virtual Tape File System. VTFS makes each frame of video simultaneously available in nine different file formats: SGI, TGA, BMP, PIC, TIF, IFF, VPB, RAS and RLA. Animation sequences can also be rendered directly to dpsVelocity and then easily accessed for editing.
 AUDIO EXCELLENCE
As any professional knows, video is only half of the story. Audio features have been enhanced in dpsVelocity to provide real time multi-channel monitoring and hardware mixing of eight audio channels with guaranteed audio sync. Real time EQ has been added for audio sweetening, as well as complete right and left channel panning controls for each audio track. Need more channels? With dpsVelocity, you can even automatically mix down additional audio tracks for real time preview.
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